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"If Only They Could See Us Now…!"
25th December 2001

The series is back! And there are new titles to boot – Uncle Albert is
gone, and the other two look really, really old.
Much of the early
part of this episode is taken up with a lengthy and convoluted sequence
told in flashback, explaining how the series has been dragged back from
its death bed, and why several deceased cast members aren’t present. Deep
breath…
The Trotters have invested heavily in the "central American stock market",
which has since naturally crashed, leaving them bankrupt. They have a year
to pay back debts of £48,754, although conveniently Del has bought the old
flat back [actually he just says he bought it, so he could be referring to
a purchase before they got rich, meaning he simply never got round to
selling it]. They paid for the new ‘Trotter Wing’ of Peckham General
Hospital (via some dreadfully photoshopped encounters with the Queen).
Albert declined to go round the world with the family, instead moving to
the coast to live with Elsie Partridge’s family (she of many previous
episodes; "she cut the ribbon on stone henge", someone says here). She
seems to have died before Albert.
That explains Buster Merryfield’s absence, Kenneth MacDonald had also died
since "Time On Our Hands", and so Mike is said to be in prison for
embezzlement after investing his life savings with the Trotters. Sid is
running the Nags Head, which makes no sense at all other than to give one
regular cast member another absent one’s lines.
Jo Yo Mencutta Grove is mentioned. No idea who
it’s referring to, but it sounds funny.
Albert never owned a passport!

There’s barely time to flog any gear with all
this exposition going on, although Monkey Harris (an obligation) and some
electronic organisers are mentioned.

"Laboratory Garniere!" is a good one. As is "Chateaux Neuf De Pap!"

"It’s no good looking at me with that Anne Robinson face!" (a trend of
John Sullivan’s "Only Fools" writing is that he always stocks the scripts
with contemporary references; there are plenty here).
"Dead… dead as the Emu"!
"It’s as exciting as a Buddhists hen night!"
"Either it’s your fault, or it’s the Chinese year
of the Dodo!"
[on why Del has stuck with Rodney] "Well, you never know when you might
need a bit of bone marrow"
"What a moby!"

Cassandra’s beret. Marlene’s funeral hat.
Actually, as this episode is still less than eight years old, everyone
seems reasonably sensibly dressed.

The actor playing Damien (Ben Smith) is appalling, as are his unfunny
‘gangsta’ phrases (which unfortunately nod to the humour of the imminent
and crappy "Only Fools" spin-off show "The Green, Green Grass")
It’s slightly implausible that five people now live in the Trotters flat
(just how big is it?), including two married couples, one of whom is
trying for a baby. Would this really be a good financial move given the
bankruptcy (no-one mentions this)? Sullivan also has Cassandra pointing
out the flaw in this, only to not explain it at all – she notes that her
and Rodney haven’t moved into her parents house because "We’re happy here"
(they don’t seem to be!).
Del refers to Rodney as "young and energetic" at one point, which is a
line that sounds like it belongs in an eighties episode of "Only Fools",
judging by the greying forty-something Nicholas Lyndhurst on the receiving
end of it here.
The scene where Rodney and Cassandra are forced out the flat after lying
about their costumes is a bit flawed – why don’t they just say the party
is later? Or hide and return to the flat when Del’s gone?

Oh dear. It’s odd to recall that only five years had passed since the
‘perfect end’ of the series in 1996. After all, the three years between
"Fatal Extraction" and "Heroes and Villains" did no harm. Yet,
unfortunately, not only does resurrecting the series cheat the audience
out of the ending they so richly deserved (and got), it also makes
everyone look very, very old. Challis and Lloyd-Pack in particular look
like fossils, David Jason seems to be turning into his character from
"Miami Twice" (all slicked back hair and stony-faced) and Mickey Pearce
looks like a rather wrinkled ferret. The problem is, there is so much to
‘wriggle out of’ to get the Trotters back to being broke and in
(implausibly) the exact same flat as before, that most of this episode is
taken up with explaining at length why that delightful last episode has
been rendered utterly meaningless.
But let’s look at the episode itself to see if it at least stands up in
its own right. Sadly, this reveals another problem. After twenty years,
shockingly, the magic formula has, if not completely faded, at last seemed
to rub off. Even Trigger isn’t funny any more. The leads just about manage
to pull it through (although the new actor playing Damian is an
embarrassment), the problem is the thing we’ve always taken for granted –
the story - just isn’t strong enough. There’s less of a unifying plot than
usual, so what we get is a caper at something which turns out not to be
Uncle Albert’s funeral, some admittedly funny antics with Rodney and
Cassandra and Del’s appearance on "Goldrush" – and even this is marred by
the fact they didn’t get the rights to use "Who Wants To Be A
Millionaire", so had to invent a cheap substitute at the last minute
instead. There aren’t a great number of laughs either, and haven’t we had
the pay-off (Del turns down a fortune at the last moment because he is
sure it’s a stitch up) before? Isn’t this the ending of "To Hull And Back"
given a scrub up?
Some credit is due. On its own, this is pretty funny. Everyone more or
less knows what they are doing and it’s still better than "My Family".
Alas, it completely pales when compared to other "Only Fools" episodes.
But the worst aspect of this is not everyone looking ancient, the jokes
being sparse or the plot not being that strong. It’s how the series is
being exploited. I loathe the last line with a passion – "We’re the
Trotters – and we’re back!". Because it’s a lie to the watching viewers.
It was no secret at the time that only three new episodes were ever
intended to be made, and yet this, and the new titles, encourage hope that
the series is indeed starting anew. The recent deaths of two of the
regulars only make the BBC seem even more irritating for not making the
series with these characters when they could.
That the BBC stretched these new episodes, all ready by Christmas 2001,
over the next THREE Christmases is tight-fisted beyond belief. In fact,
the whole series and it’s beautiful denouement has been ‘sold out’, and
for what? Three more less-funny hours, from which the BBC hoped to gain
three Christmases of bumper ratings. It’d be a lie to say "If They Could
See Us Now…!" isn’t at all funny - it just isn’t worth spoiling the memory
of the series you love for.
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