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Doctor Who, What, Where, When, Why and How
A personal Doctor Who viewing memoir

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The Stones of Blood


The middle of the Key to Time is where my memories once more fade away. I do know I found the Stones of Blood to a strange one because of the way it suddenly moves from gothic, earth bound adventure to futuristic space debate as though the pages got mixed up by the photocopier. I can’t remember which half I preferred. Most people prefer the first half and I think I probably did but given everything I’ve said about the gothic not being to my tastes it may have been the latter.


The first Google Images result for "gothic"

 

The Androids of Tara

Being thinly read and not having seen any films ever (a slight exaggeration but only a slight one) I watched Androids of Tara not really noticing that it is an homage to something else. I was aware of the whole doppelganger genre of lit and film but hadn’t seen any of them. I liked the electric swords – I thought they were good. And Peter Jeffrey could impress even the tiredst, most jaded teenager and I was as tired and jaded as they come. It is sad there never was the promised "Next time…" Some years later I went through a strange phrase – lasting no more than a week or two – of watching QVC for the comedy value. I was astonished – my as has rarely been so tonished – to discover that ultra-bland presenter Paul Lavers was in the Androids of Tara. I promptly forgot this fact and got to be astonished all over again when he popped up on the DVD.


Paul Lavers in all his glory

 

The Power of Kroll

I knew the Power of Kroll was no good – all the authorities agreed this was not Robert Holmes’ finest hour and a half. I actually have clearer memories of sitting through it, fidgeting and looking at the clock. I felt a sort of misplaced duty to watch it. Even when the swampies appeared – a more absurd bunch of patronised aliens I can’t imagine – I couldn’t get out of first gear. The one bit which I thought was fine was Kroll itself. By Doctor Who standards it seemed pretty good to me. And I was watching it expecting it to be bad and having become physically numbed by the story by the time it appeared.


The monster is not the most embarrassing part of this photograph

 

The Armageddon Factor

The Armageddon factor on the other hand is one of my favourite Tom Baker stories. Not just of the Key to Time but from his entire reign. UK Gold were showing Kenny Everett shows late at night and I was recording them. It was classic stuff – no vaguely pretentious fan of British comedy could hold a single head up high without at least a working knowledge of the Everett. Because of UK Gold’s notorious time keeping I padded the recording a fair bit and this meant that one night I also recorded the first part of the Armageddon Factor. Although it would throw my Sunday omnibus routine out of whack I decided to watch it. The varying lengths of Doctor Who stories meant the omnibuses could drift months away from the episodic screenings late in the evenings. I was fortunate – I got the whole episode just about. The next night I deliberately extended the recording to include it. And the next night. And so on. It was fantastic. Many say it has a tired, end of season feel to it but I didn’t see any of that. Episode by episode it works. It doesn’t have the wit of Ribos or Pirates but it has a stronger, more compelling story. It keeps adding new elements each week rather than introducing us to everyone in week one and letting them go about their business thereafter. I’d even go so far as to say it was the most enjoyable first showing of a Tom Baker story I can remember. There are others I can say now are more entertaining but this is primarily about first impressions and my first impressions were very positive. So much so that by about the third episode I was fast forwarding through Kenny Everett to get to Doctor Who.

In the same sale that gave me cheap Seeds of Doom I also got cheap Armageddon Factor. They had all the Key to Time tapes but I only got the one. I might’ve bought two but for the life (and shelves) of me I can’t remember what the other one was. I was too busy being amazed that the BBC could in fact fit six episodes of Doctor Who on a single video tape after a decade of claiming it was impossible, or improbable, or inadvisable – one of the above.

Speaking of videos, I had my omnibuses of the Key to Time on two cassettes and I fear I made a cardboard outer box for them. It wasn’t the only time I did it – I made a two tape box for some Inspector Morse episodes and a three tape box for Jeeves and Wooster. My method was to take two regular cardboard video tape sleeves and glue them together. Then I’d wrap them in card – in this case pink – generally using file divider cards from last year’s school folders. On the spine I wrote a title in my biggest letters, on the back I stuck a piece of paper with some typed text (this was before proper computers which ages me more than I can possibly say) and on the front I stuck a drawing of Tom and Mary from the 1980 Doctor Who annual. If I still had it I would take a picture and show it to you. It was dreadful but I feel we’ve learned something about each other these past thirty thousand words and we trust each other enough to show each other our embarrassing home made video covers. It’s a right of passage every relationship goes through.


This man was shunned in favour of Armageddon

 

Destiny of the Daleks

I’ve just re-read the following sentence and don’t know what I was thinking. It began “I don’t remember my first memory” which rather casts doubt on it as my first memory. What I meant was that “I can’t be sure when my first memory was”. So, take two, I can’t be sure when my memory was but it must’ve been some time before April 1979 because it was at “the old house” and it involved scratchy floor tiles. My earliest television memory was the end of episode two of Destiny of the Daleks. I didn’t know what Daleks were of course, I didn’t even know what Doctor Who was. But I remember a bony hand suddenly coming to life and loud music starting. I was delighted years later to see the cliff-hanger with more mature eyes and it was exactly what I remembered – a close up of a bony hand and it suddenly coming to life. With loud music shortly after. The mental image has us watching this at my grandparents house in Fleetwood but then most of my early TV memories are from there – Logopolis, the end of Blake’s 7, the death of Eric Morecambe - for some strange reason. We did have a telly at home, promise.


My earliest television memory