As 1986 unfolded, Target no doubt began to feel the
full impact of the strange combination of circumstances in which the range
found itself. With no new Doctor Who on television between the
spring of 1985 and the autumn of 1986, and the series’ future very much in
doubt beyond that point, it must have seemed that fears about running out
of stories to adapt were about to become reality- a dangerous state of
affairs for a range which depended on the novelty of having a new
adventure hitting the shelves at least once a month. Having said that, the
1986 output is remarkably balanced, with five of the six Doctors to date
represented; after Robert Holmes’s adaptation of ‘The Two Doctors’ in the
previous year, 1986 saw the first attempts at bringing a number of the
Sixth Doctor’s stories into print, with Eric Saward turning in a very
enjoyable revision of ‘The Twin Dilemma’ while ‘Timelash’ and ‘The Mark of
the Rani’ were adapted with less ambition by their respective writers.
Terrance Dicks remained active, producing adaptations of ‘The Time
Monster’ and ‘The Seeds of Death’ which are all the better for reflecting
Dicks’s involvement in the original productions. There’s also a crop of
stories from William Hartnell’s third season, adapted as far as possible
by their original writers- ‘The Gunfighters’, ‘Galaxy Four’, ‘The Savages’
and ‘The Celestial Toymaker’ opening a window on an era of Doctor Who
not particularly familiar to fans at the time. And Victor Pemberton’s
faithful yet expansive revisiting of ‘Fury from the Deep’ showed just how
much could be done with a straightforward adaptation by adding to the
character and atmosphere of the story.
One weapon which Target did have to hand was however
the idea of original novels featuring the Doctor’s companions in solo
adventures, which debuted in 1986 with stories for Turlough and Harry.
Although it would take a few more years for the idea of original Doctor
Who fiction to come of age, there are some promising signs in these
early attempts, and while ‘Turlough and the Earthlink Dilemma’ is
overlong, overambitious and too far removed from the character of Turlough
as presented on television, Ian Marter’s Harry novel is pitched rather
more sensibly and reads as a fair addition to the range. In retrospect
it’s difficult to see how the concept could have had a long-term future,
as there are only so many companions about whom follow-up novels could
really have been written, but it’s probably best to see the Companions
range as a testbed for working out just how original stories set in the
universe of Doctor Who would and wouldn’t work- there’s a fine line
between fidelity to the feel of the television series and the conception
of the characters on the one hand, and the need for originality and a new
direction on the other.
The future of Doctor Who on television at the
end of 1987 was ultimately no more secure than it had been at the
beginning of the year- and yet Target seemed to respond to that
uncertainty with a completist’s enthusiasm for going back to the black and
white years and bringing to the nation’s bookshelves adaptations of
stories which not one fan in ten could ever have seen legitimately. In the
face of waning enthusiasm for the then-current series, such a course shows
either a reckless courage or a basic conviction in the quality and appeal
of the material going to press- or more likely both- but it’s certainly
one without which many fans of the time would have had a less balanced
perspective on Doctor Who’s past.