

TITLE
Hope
AUTHOR
Mark Clapham
PREVIOUS FORM
for the defence:
Nothing. Sorry. Erm...
for the (co-)prosecution:
I'm afraid Mark Clapham was
co-author on The Taking of Planet 5, a book to which lots of
adjectives can be applied, none of them good.
WHAT'S IT ALL ABOUT ALFIE?
The TARDIS arrives on a
bleak and desolate world in the far, far, faaaaaar future. Unexplained
murders, megalomaniacs, and silver, superhuman monsters abound - so in
other words, business as usual.
THE 100 WORD REVIEW
Unlike some recent books,
Hope doesn't come across as being written by someone with his own
agenda but rather by someone whose sole ambition was to write a solid
Doctor Who story. That's not to say there's nothing distinctive to it -
quite the reverse, and having apparently set itself up as a
straightforward 'Doctor solves murders' story, I was surprised when the
Doctor managed that before the halfway point! That the story then keeps on
developing , without once feeling like it is being dragged out, is a real
triumph, and makes for the most easily enjoyable EDA in a while.
THE C WORD
This is as much Anji's book
as anyone's, with her being offered the opportunity to clone her lost Dave
in return for revealing the details of the Doctor's time machine to the
story's villain. A lot of soul-searching goes on, but it's credibly done
rather than being page after page of angst-ridden twaddle, and her
ultimate decision to betray the Doctor's trust is very convincing. There
is a very strong scene between Anji and the Doctor when the truth emerges
(with poor Fitz as an innocent bystander - of course!) but in the end even
the Doctor has to admit that Anji has thought through her decision. If
anything it allows the author to reinforce the relationship between Anji
and the Doctor, with the latter saying that "We should never let betrayal
destroy our capacity to trust." The clone, Dave II, is a physical but not
a mental duplicate, and much is made of the difference between him and the
'real' Dave (who appears in the touching prologue and epilogue) although
Anji is ultimately pleased that she did it. I believe the phrase is, she
obtains closure. Although whether future books will have Anji once more
ridden with 'dead Dave' angst when it suits the plot, remains to be
seen...
Otherwise, very quiet on
the continuity front - Grimm Reality, Dark Progeny, and
The Year of Intelligent Tigers get a mention, but that's about it. The
Father Time flash-forward comes out of its recent semi-retirement,
with the very first snippet (an iron fist missing the Doctor's head and
smashing into a wall) giving the Doctor a sense of deja vu when it
actually happens on page 235.
And going back to the
wonderful Anji, she was a Bros fan in her teens. How embarassing is that,
Mrs Curnow?
I - AM - THE - DOCTOR!
And thank Rassilon, yes he
is! Of the three EDAs I've read this year, this is far and away the best
for portraying the Doctor. When he appeared clean-shaven in the very first
chapter, I suspected that things might be looking up and I was right!
Story-wise, the Doctor does
all the things we would expect him to do. He solves the mysterious murders
at great personal risk. He never for one moment trusts the ruler of the
township, and he ultimately saves the day, his intellect being more than a
match for his enemy's physical power. The Doctor is the hero, the
adventurer, the insatiably curious little boy... He - is - the - Doctor!
Character-wise, after a
complete absence of it in Mad Dogs and Englishmen, the issue of the
Doctor's heart is firmly addressed. Admittedly the grisly practicalities
of just how Sabbath managed to do it, are still not touched upon, nor is
Sabbath even mentioned - instead there are various references to the
Doctor's "illness" with the removal of his heart referred to as having
cured him. But what is clear and unambiguous is the effect it has had on
the Doctor, in that he is now more 'human' in his capabilities. He needs
sleep, the lack of it wearing him out and making him clumsy, and rather
than relying on his Timelord strength, he instead resorts to caffeine to
keep himself going (well, we've all done that haven't we). He also
discovers, at the worst possible moment (page 131) that he is no longer
able to easily metabolise drugs and the like, and is thus much more
vulnerable to attack; similarly the legendary respiratory bypass seems to
be a thing of the past, with the Doctor nearly finding himself choked to
death.
Early in the story, the
TARDIS sinks to the bottom of the acid sea, and the loss of this old
friend affects the Doctor deeply. In fact the Doctor spends the first part
of the book wanting to do nothing more than recover his ship and leave -
as the back cover blurb has it, "Even the Doctor can't see any possibility
of redemption for this cursed place." It is a very human reaction
to a miserable, depressing, hopeless environment, and in as far as the
Doctor's character can ever be said to develop, the book allows the Doctor
to rediscover himself from this rather unpromising start point.
Presenting him at first as
being little different from a human being himself, we see his sense of
identity reinforce itself as the story unfolds - he dreams of himself as
the captain of a ship (pages 67/68) where he "is a new man, unsure not
only of what he is doing but of what it is his nature to do" but as a
single word of command unleashes the ship's cannons, he ponders "How could
he underestimate the strength he held, in a word and a gesture?" He may be
human in one sense (his link to the Earth, as established in The
Adventuress of Henrietta Street, is referred to) but he is
nevertheless still more than human. The Doctor sums it up himself,
right at the end of the story, neatly summing up the theme of the book as
well as himself: "We all have our potentials, our opportunities, our
limitations and our failings. It's who we are and what we choose to do
that matters in the end."
Oh, and yet again, the
Doctor's violence is touched on, during his encounter with the mysterious
murderer. Touched on, but not expanded on. It seems to be made too much of
in these recent books to be an irrelevancy, but I don't know whether it's
all leading towards a resolution or not. Time will tell. It always does...
MONEY IN THE BANK ZILDA!
This Book:
For the third and final time, I paid £4.16 all
in for a fine second-hand copy of this one from Ant Williams. That makes a
saving of £1.83 I reckon.
Running Score:
£53.59 against RRP to date.
|