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What’s the story called?
Stairway to Heaven
The Collector
Stairway to Heaven was
published in the January 1990 issue of Doctor Who Magazine, number #156.
The World Shapers
Plot – Paul Cornell
Script – John Freeman
Pencil – Gerry Dolan
Inks – Rex Ward
Editor – John Freeman
Fellow Travellers
The Doctor encounters an
impish creature in this story that repeats the words 'Excuse me,' and
'Heavenwards'. The creature starts as an egg but grows rapidly, reaching
old age before the story’s end. It’s like watching The Time Warrior and
School Reunion back to back.
The Deal
The Doctor is aiming to
arrive at Chardaz Museum of Modern Art, but instead the TARDIS lands in a
lush jungle. He trips over an egg, which hatches. An imp-like creature
emerges, saying 'Excuse me!' It blasts flames from its nose that it uses
to fire a lump of mud into a solid block. The Doctor follows the creature
as it runs off and he notices that the jungle is contained in an
artificial dome.
The creature leads the
Doctor to a stairway built of bricks and bones. The Doctor observes a pile
of shattered bones, as though the creatures fell from a great height. The
creature runs up the staircase.
At the Chardaz Museum of
Modern Art, the Genetic Sculptor Garg Ardoniquist is being interviewed by
a reporter named Brin. Garg explains that he has created a sculpture that
reflects the suffering that an artist must undergo to reach the top.

Tell me, how does it feel to be Martin Jarvis - King of Talking Books?
The Doctor reaches the
summit of the staircase just behind the creature, which places a brick at
the top and runs on. The Doctor is horrified to discover that the
staircase ends as a sheer drop. He grabs the creature with his umbrella
just before it falls. He opens a hatch at the top of the dome, which is a
few feet above the top of the staircase. The hatch opens into the Chardaz
Museum. The creature is embraced by Garg Ardonquist as part of his
creation. The Doctor berates Garg for abusing genetic science in such a
callous way. The creature jumps up to hug Garg, but knocks him through the
hatch and the two of them plummet to their deaths.
As the Doctor leaves
security guards arrive and start picking up the stones of the staircase as
collector's items.
TV Action
The seventh Doctor starts
wearing his dark jacket from Season 26 in this story. In a way it’s a
shame, as on the TV show the Doctor had just hung up his dark jacket for
the last time. The 6th December 1989 saw the transmission of
the final episode of Survival, the last old series story and the final
McCoy story until the TV Movie in 1996. Stairway to Heaven, coming in
January 1990 came at an uncertain time for Doctor Who, when the magazine
was alternately confirming the show’s future and declaring it’s
cancellation.

Garg denies knitting the question-mark pullover
Stairways featured heavily
in both Castrovalva and The Nightmare of Eden. In City of Death, the
Doctor visits another art gallery; the Louvre in Paris.
4-Dimensional Vistas
This story is pencilled by
Gerry Dolan, who previously provided some pretty decent artwork to
illustrate the text based story The Infinity Season. As in those drawings,
there are some excellent renditions of McCoy in this story, although the
posing of the characters tends to be a bit stiff and unnatural.
One noticeable detail in
this story is the unexpected appearance of Martin Jarvis as Brin, the
reporter who interviews Garg. It’s definitely him! The hair and face are
spot on.
Many of the backgrounds in
this story are left either blank or sketchy and there are quite a few
occasions where the frame just shows McCoy against a white background.
This is particularly noticeable in the Chardaz Museum, which seems to be
completely undecorated. Fortunately the generally high quality of the
artwork makes up for this.
End of The Line
Stairway to Heaven is a
very neat one-part story, portraying a self-obsessed artist so concerned
with suffering for his art that he draws others in to suffer too. Garg is
a repulsive villain and the immorality of his artwork incorporating the
deaths of hundreds of genetically created creatures rightly appals the
Doctor.
The stairway itself is a
great metaphorical image, with the creator always just out of reach at the
top and the creatures falling to their deaths trying to get to him. It’s
easy to feel sympathy for the hopelessly cute and naïve creature that the
Doctor chases up the stairway, although some may find the whole thing a
bit too cute overall. As one part comic stories go, it’s the closest rival
to the magnificent Spider God that the comic strip had produced at that
point.

It's art, BUT AT WHAT COST DAMN IT?!!
Follow That TARDIS!
Paul Cornell is one of the
great lost writers and was scarcely heard from again after this story was
published. His brief return to the public eye saw him write the
revolutionary New Adventure novel, Timewyrm: Revelation amongst many more
novels, audio plays and television both within and without Doctor Who. His
episodes for the new series (Fathers' Day and Human Nature / Family of
Blood) are highly regarded. Aside from that though, there's been not a
peep from him. Reclusive and shy, Cornell is perhaps the most inaccessible
of Doctor Who writers.
The Doctor has given up on
getting to Bonjaxx’s party at Maruthea.
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