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What’s the story called?
Nature of the Beast
The Collector
Nature of the Beast was a
three-parter, appearing in DWM #111 to #113 from April to June of 1986.
It’s never been reprinted, not even by Panini Books. Unlike some of the
previous comic strips, it only has one title for its three parts.
The World Shapers
Script – Simon Furman
Art – John Ridgeway
Letters – Annie Halfacree
Editor – Shelia Cranna
Fellow Travellers
With two companions now
established in the TARDIS, the battle for things to do has begun in
earnest. Peri makes an early stab by dominating the first page of the
comic strip, while Frobisher sticks in humorous asides throughout and
getting himself hung upside-down. Peri has a good comeback, barking at the
Doctor for getting them captured by soldiers during their picnic and
wanting to know if everything really has turned out for the best in the
epilogue. This leaves Frobisher with lines such as ‘The sooner we’re back
at the TARDIS…’
Unfortunately for the
regulars, the end game goes to the medic, Genesil Lupe. He’s a traitor to
his people, but seeing as those people are the belligerent Yl-Caan that’s
no bad thing. The story is essentially about his love for a lady slightly
beyond his reach. In the end, he makes an enormous sacrifice for his love.
The Deal
Peri is delighted. The
Doctor has finally found a nice planet for a picnic! They settle down to
enjoy themselves but are interrupted when a wolf-like creature leaps
across their meal, being pursued by knights on flying sleds armed with ray
guns. They prepare to execute the beast in the name of High Lord Mackal,
but the Doctor throws a rock, knocking the Commander’s gun off target. The
beast escapes, but is cornered by one of the knights, who seems to
deliberately miss and let the beast escape. Commander Hon orders his men
after the Doctor and his companions, who are running away.

Huffing and puffing
The Doctor, Frobisher and
Peri hide in a cave, where they discover the beast has also taken refuge.
The Doctor approaches the beast, realising that it is an intelligent
creature. As he gets close though, the beast growls ‘RAAAR!’ and leaps
into the air! It leaps straight over the Doctor to attack Commander Hon
who was preparing to fire. The Beast gets away, but the Doctor’s party is
taken prisoner.
At Commander Hon’s
futuristic base, Hon accuses the Doctor of controlling the beast that
killed Lady Irna. The Doctor tells Hon that his hypothesis is a fantasy.
Hon explains that him and his men are Yl-Caan, a warrior race bred for
combat. The War Lord Mackal married Lady Irna to form an alliance between
the Yl-Caan and the Caynon. The Caynon had mastered warp travel and the
Yl-Caan were able to spread their empire through the galaxy.
However, Lady Irna was
struck with a deadly disease, throwing the alliance into disagreement. In
order to cure Irna, she was brought to this world which was discovered to
have healing properties. Her medical officer, Lupe, made sure she was well
cared for. She started to recover, but disappeared one day while out
walking. The beast must have killed her. Hon hopes to gain retribution by
bringing the head of the beast to Mackal.
The Doctor and his
companions await execution in their cell but are let out by Lupe, who
takes them into the forest. Lupe explains that the planets atmosphere
affected Lady Irna in an unexpected way – Lady Irna turned into the beast!
Lupe made it look as though the beast had killed Lady Irna so that she
could escape into the forest. The two had fallen in love.

The howling
Commander Hon, meanwhile,
is preparing to detonate an apocalyptic bomb to hide his mistakes and
prevent their allies going to war. The Doctor and his party try to sneak
back into the base, but are captured. Commander Hon tells them that the
bomb will detonate in 15 minutes and makes his escape in a rocket ship.

Beastly behaviour
The Doctor, Lupe, Peri and
Frobisher are rescued by the beast / Lady Irna. The Doctor rushes to find
the bomb, but Irna has beaten him to it and placed the bomb on Commander
Hon’s ship. The ship explodes above the atmosphere.
The Doctor, Peri and
Frobisher leave. The Yl-Caan and the Caynon are at war with each other,
rather than attacking harmless planets. With the Doctor’s help, Lupe was
able to find a way to advance the physiological change and Lupe becomes a
beast like Irna.
TV Action
The metamorphosis of a
woman into a beast was something that the TV show attempted in Vengeance
on Varos, but in that story it was a more unnatural change.
The story itself is much
more gentle than the TV version, although the Doctor is just as brusque
and self-absorbed. During the picnic he bores Peri and Frobisher with
tales of UNIT and Cybermen.
4-Dimensional Vistas
The artwork is serviceable
but uninspiring in this one. There’s some nifty space-battles in the back
story, but most of the action on the planet is talking heads. The beast
looks effective though, with its long gangly limbs making it look suitably
inhuman. The close-ups on the face are particularly good. Ridgeway makes
the eyes look intelligent and slightly feminine, but still alien enough
not to give the game away. The soldiers also look great with their
t-shaped helmets and fancy rocket sleds.
The likenesses are great
throughout and there’s even a decent drawing of Davison in a little aside
as the Doctor remembers his skill at throwing a cricket ball.
End of The Line
Simon Furman’s debut on the
comic strip is a very simple story with just enough twists to keep it
interesting. The back-story of the war doesn’t meld to well with the main
story on the forest planet and the might of the war-like Yl-Caan isn’t
particularly prominent. If Lady Irna was really so important it seems odd
that she’d be protected by only six guards.
The disjointed story
telling at the start of part three is confusing and unnecessary. There’s a
flashback at the start that fills in on events that happened between parts
two and three, but rather than speeding up the story it interrupts the
action and slows it down.
The denouement is
satisfying if a bit predictable. Perhaps more could have been made of
Lupe’s decision to leave his life as a soldier to become a beast with Lady
Irna, but the final frame of the two of them running in the forest
together is quite sweet. In a carnivorous mutated alien kind of way.
I quite enjoyed Nature of
The Beast. Although it’s a solid start for Simon Furman it’s still a bit
of a filler story. A ham-sandwich picnic rather than champagne and smoked
salmon.
Follow That TARDIS!
Simon Furman was the first
‘jobbing’ writer for the Doctor Who comic strip. Previously the writers
had overseen the strip for a few stories, but from this story they
alternated through various writers.
Simon Furman had previously
worked on Transformers Comic and was a Marvel UK regular. He would go on
to create the character ‘Death’s Head’ who would turn up briefly in the
Doctor Who comic strip. He also wrote Big Finish audio Axis of Insanity.
These days he’s known as the foremost Transformers writer.
This story features a
were-wolf like creature. Were-wolves would appear in Doctor Who in Big
Finish audio Loups-Garoux, new series episode Tooth and Claw and BBC Books
Wolfsbane.
The Doctor was originally
heading to Berryn Four for an intellectually stimulating break studying
artefacts. A picnic in a forest was much more to Peri’s taste. One of the
foods in their picnic is Prenuvian paté. They appear to have tea and cake
as well.
Part two is subtitled ‘Wolf
in the fold!’ and part three ‘A wolf in wolf’s clothing!’

Lupine pain
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