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What’s the story called?
Polly The Glot
The Collector
Polly The Glot was first
published in Doctor Who Magazine issues #95-96, welcoming in the new year
between December 1984 to January 1985. It was coloured in and reprinted in
two DWM specials, first in Collected Comics in August 1986 then In April
1989 for Doctor Who: Voyager. It’s due to appear in black and white in
‘Voyager’, scheduled by Panini Books for 11 October 2007.
The World Shapers
Writer – Steve Parkhouse
Artwork – John Ridgeway
Lettering – Steve Dillon
Editor – Ian Rimmer
Colours (for the reprinted
edition) – Gina Hart
Fellow Travellers
Frobisher continues to
prove himself as an amusing and self-assured companion. He retains the
penguin shape that he is so fond of, even to the extent that when he goes
incognito to buy a newspaper, he wears a big trench-coat and hat rather
than change shape. When the two Doctors explore the Akker ship, Frobisher
goes in his own direction to get to the bottom of things.
Two Doctors? Along with
Frobisher, the Doctor is accompanied by the redoubtable Doctor Ivan
Asimoff, who previously appeared in The Free-Fall Warriors. Asimoff is,
according to his introduction, ‘Adventurer, scientist, mild and bitter by
turns… wit, raconteur and vagabond at heart… an invincible ally’. He’s
still insecure, green, warty and tentacled. In this story he seems older
and has more responsibilities, such as being an active member of the ‘Save
the Zyglot’ Trust.
The Deal
The Doctor and Frobisher
land on Galena, a busy spaceport. It’s known as the crossroads of the
galaxy, so it’s unsurprising when they bump into their old friend Doctor
Ivan Asimoff. Asimoff asks for their aid, but is in a hurry to catch his
shuttle so he gives them his card with the co-ordinates for the ‘Save the
Zyglot’ Trust.
Across the galaxy, a young
Zyglot is being chased by some bored potato-headed aliens. The Zyglot is
an enormous, beautiful, space-creature. The aliens capture it and comment
that it will probably squirt red ink at them. They intend to sell the
creature to the Carnival at Ringway. It was at this carnival where Doctor
Asimoff saw the Zyglot, Polly, for the first time and fell in love.
The ‘Save the Zyglot’ Trust
is failing through lack of funds. As Dr. Asimoff travels to his meeting
with the Trust, he wonders what he will tell them. He hears the TARDIS
land nearby and Frobisher emerges, dressed in a trench coat and fedora,
carrying a gun. He orders Asimoff inside. The Doctor informs Dr. Asimoff
that he is being kidnapped!
A while later, Frobisher
picks up a newspaper reporting the kidnap. Asimoff has been living in
luxury on board the TARDIS, eating ice cream and watching TV, but still
demands to know how long he is to be imprisoned for. The Doctor explains
that he is holding Dr. Asimoff to ransom. As soon as the public hear about
the kidnap, the donations should pour in and the Zyglot Trust will be
saved. Dr. Asimoff says that the President of the Trust will be furious.
The President’s name is Professor Astro Labus.
On hearing the old
magician’s name, the Doctor falls into a surreal nightmare. The floor
dissolves beneath him and he finds himself falling towards a planet. The
planet slowly turns into the head of Astrolabus and the Doctor falls
helplessly into his enormous mouth.
At the Zyglot Trust
meeting, a runner announces that Dr. Asimoff has been kidnapped. President
Astro Labus smells a rat – and a penguin!
On board the TARDIS,
Frobisher wakes the Doctor up. The Doctor surmises that he has been
suffering from post-hypnotic suggestion. He arms Asimoff with a stun
weapon and they head to the spaceship of the Akkers, the potato-headed
aliens seen capturing the Zyglot earlier in the comic strip.
The Akkers are the dullest
race in the galaxy. When a pair of them come across the penguin-shaped
Frobisher, they realise that it can’t be a figment of their imaginations -
because they don’t have imaginations. The alarm is sounded and the ship’s
Defender is activated. This is a huge robot that accosts Dr. Asimoff the
Doctor. The Defender is able to transform into a variety of robot shapes,
ranging form an ‘Industrial vacuum cleaner with spray paint attachment’ to
‘A pile of old buckets’. He bashes the Doctor on the head with a mop, but
is stopped in his tracks when Dr. Asimoff aims his gun at the Defender.

Beware the Defender! Make sure you do
your health and safety forms
The so-called Defender
admits that he is really only the ship’s janitor. He directs them to the
bridge, where the Akker captain and his associate are pondering over their
captive, Frobisher. Dr. Asimoff uses his gun to hold up the bridge, but
the Akker Captain threatens to press a button that will crush their
captive Zyglot. There is a sudden CRAAASH! And the real Defender robot
bursts onto the bridge. This gives Dr. Asimoff the chance to shoot the
control panel, which releases the Zyglot.
Under threat of being
blasted, the Akker Captain reveals he is working for the Owner of the
Ringway Carnival – the Great Swami, Astral Arbus! Astrolabus has been
playing off both sides against each other and reaping the profits of both
the Carnival and the Trust.
On Ringway, Astrolabus sees
in his crystal ball that he has been betrayed. He starts packing, but the
TARDIS lands outside his tent. He is accosted by Frobisher and a furious
Dr. Asimoff. Before they are able to do anything though, Astrolabus grabs
Frobisher and dives into a Time Cabinet. Asimoff runs out to tell the
Doctor.
The Doctor has adjusted the
zero-gravity field on Polly’s void-trap, allowing her to escape through
the atmosphere back into space. She stretches her tendrils and blossoms in
a huge, beautiful display. Asimoff watches, sad that he has lost Polly
forever. The Doctor departs in the TARDIS, but leaves Asimoff a gift of
125,000 Mazumas, courtesy of Ultra-Venus Inc., to help the ‘Save The
Zyglot’ Trust with it’s financial troubles.

Big eyes, fronds, shiny skin... it's got
to be a Zyglot
TV Action
A carnival tent with a
mysterious crystal ball appeared in the TV story Snakedance.
Professor Astrolabus has a
beard and uses a variety of easily-solvable pseudonyms. The Master often
does the same thing.
Galena is an enormous
bustling spaceport, similar to the ones seen in Dragonfire, or The End of
The World. Galena is far more heavily than both of those, however.
The comic strip Doctor is
still far mellower than his TV counterpart. He smiles, makes jokes and
treats his companions as equals. Despite the costume, he’s someone you’d
want to travel with or even get kidnapped by, given his treatment of Dr.
Asimoff! On the other hand this version of the Doctor is one that keeps
shotguns and stun guns on board the TARDIS.
4-Dimensional Vistas
There are a couple of
things that really stand out in this comic strip. Dr. Asimoff looks
exactly the same as when we last saw him, which is pleasing. Ridgeway has
caught the little alien perfectly. There’s the magnificent Zyglots, which
are huge psychedelic space whales with big, sad eyes. The blossoming of
Polly the Glot is magnificent as it erupts into an enormous bloom of
fleshy flowers.
The Robot Janitor is a
delight as well, with its bizarre transformations. He’s got a sad face and
cumbersome design reminiscent of Marvin The Paranoid Android. It adds to
the comedy that he can only turn into crappy-looking cleaning equipment.
Best of all though is the
Doctor’s nightmare, falling towards the planet that slowly turns round to
become Astrolabus’ head and gaping mouth. It’s a wonderful image and
possibly defining of the Ridgeway era.

He probably thought it was a liquorice
allsort
In general the layout is
quite pedestrian with the page divided into six or eight with lots of
people talking. It serves the story very well, being more straightforward
than the strange tales either side of it.
End of The Line
What could have been a
fairly standard sci-fi Don’t Kill The Whale allegory is made special for a
couple of reasons.
The return of Doctor Ivan
Asimoff was much appreciated. He’s given sufficient introduction to feel
like an old friend even if you’ve never read The Freefall Warriors. He
retains some of his naivety from the previous story, but he’s a little
older and more respectable. His love for Polly and his sadness at the end
of the story adds welcome depth to the character too.
I found the Akkers
particularly amusing with their ultra-dull conversations and handy signs
all over the place. Their Robot Janitor was an absolute hoot. An utterly
crap cleaning-obsessed coward, he provokes a marvellously bewildered
reaction from the two Doctors. We even got the line ‘He bopped the Doc
with a mop!’
Then there’s Astrolabus.
His return must have come as a bit of a shock at the time, especially
considering how rare recurring villains had been in the comic strip. The
plummet from the comfortable, cosy chat in the TARDIS with Doctor Asimoff
into the incredibly surreal attack on the Doctor is fabulous.
Despite all this, the story
still has a few problems. Aside from drawing the Doctor into a trap,
Astrolabus seems to have no motive in playing off the Zyglot Trust against
the Akkers. Even if it was a trap for the Doctor, Astrolabus is unprepared
for the TARDIS when it lands at Ringway Carnival. On the other hand, in
Voyager, the previous story, it’s clearly established that Astrolabus is a
universal trickster and as mad as a Hatter. Perhaps that’s motivation
enough!
It’s impossible to deny
that Polly The Glot is the best love-story between a small green alien and
an enormous pink space creature that Doctor Who has ever been involved in.
It’s not perfectly plotted, but it is a thing of joy and wonder.
Follow That TARDIS!
Dr. Ivan Asimoff travels
Pan-Galactica, or ‘P.G. Trips’ as their corporate logo advertises.
The Zyglots previously
appeared in the fifth Doctor comic strip adventure, ‘The Moderator’.
Magazines available on
Galena include the ‘Daily Nebulous’, ‘Antique Computer’, ‘Keep Fat’,
‘Tide’, ‘The Stun’ and ‘The Daily Doings’
This story features the
first mention of Frobisher’s favourite snack, Chocolate Pilcahrds.
At one point the Akkers go
to ‘Grey Alert’. The definition of ‘Grey Alert’ is: ‘All ship functions
are put onto a minimum to conserve energy. Power is cut to decks that
aren't needed and all other systems are put to 20% operation.’ It does
ruin the joke rather.
Galena’s official name is
Terminal L.X.116/RM.
The Doctor donates a large
sum of money to the ‘Save the Zyglot’ Trust. This is his share of the
money that he split with Frobisher at the end of ‘The Shape-Shifter’.
The shockingly verbose John
Smith from Blackburn Lancashire, fresh from coping with 10,000 holes also
had to cope with the DWM comic strip. ‘And what about the Doctor Who
comic strip…? Hmmmmm. Steve Parkhouse is generally a quite good comic
script writer, as well as being a brilliant artist, the best story he’s
written lately being The Stockbridge Horror. But his later stories are, to
be blunt, totally unsuited to the Doctor Who mythos. For example, Lunar
Lagoon had very little to do with anything even remotely connected to the
Doctor Who genre. It was as if Mr Parkhouse had quickly inserted the
Doctor – and rather ineptly at that – into a previously rejected
‘Commando’ war story just to get a few bob. Four Dimensional Vistas, too,
was terribly tacky… reading it was like washing the dishes in a sink full
of treacle. The storyline was so weak as to be virtually transparent, and
was vastly overlengthened by padding. Surely the Ice Warriors deserve
better than that sort of pedestrian rubbish? And now we’ve got Voyager –
which I must profess I liked very much at first. Okay, so the opening
episode was a bit purple, but then I’m not averse to a little purple
prose… especially if it’s written as beautifully as this. Though John
Ridgeway’s gritty and realistic art didn’t really fit into this kind of
surreal story. Mow, however, things are starting to get out of hand.
Frobisher boded ill and had become just another sonic screwdriver – though
a living one this time. Once the Doctor gets himself into a tight corner,
the shape-shifting alien will arrive in true Errol Flynn fashion and
valiantly rescue our favourite Time Lord. Companions are one thing, but
this…? I personally prefer a much more serious approach to Doctor Who.
Like the series itself, the strip should be suspenseful and intelligent,
and witty in an elegant sort of way. Mr.Parkhouse seems to glorify in
destroying his carefully built-up tension with slap-stick and supposedly
amusing rib-ticklers. For what appears to ba homage to Coleridge’s The
Rime of The Ancient Mariner, Voyager is an unstable fusion of science and
mysticism. Surely the readers deserve something more intense, something
more thought provoking than this Keystone Cops style melodrama?’ DWM
sensibly entitled this letter ‘Critic’s Corner’.
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