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What’s
the story called?
War of The Words (Doctor
Who in War of The Words)
The Collector
Starting a short run of
one-issue stories, War of The Words graced Doctor Who Monthly #51, April
1981 (a couple of weeks after the last episode of Logopolis). It was
coloured in and presented in the US Marvel Doctor Who comics #10, released
in July 1985 with a new Dave Gibbons cover. War of The Words is one of the
wonderful stories available in graphic novel ‘Dragon’s Claw’, published in
2004 by Panini Books.
The World Shapers
Writer – Steve Moore
Artist – Dave Gibbons
Editor – Alan McKenzie
Fellow
Travellers
K-9 is on companion duty.
He says ‘Affirmative, Master!’ twice but seeing as this is his last
appearance in the comic strip, it’s not much of a send-off. He assists the
Doctor by hacking into a computer to find a map. Later, the Doctor ties a
box round his neck and tells him to deliver it to co-ordinates ‘7Z7, B4T’
- K-9 does indeed return before tea. If anyone knows how K-9 untied the
box from round his neck and put it down safely, please write in.
The Doctor befriends one of
the robot librarians of Biblios, who is amiable and helpful, but also a
pedantic jobsworth.

The
Deal
The TARDIS lands in the
middle of a war between the Vromyx and the Gargynths over the planet
Biblios. The war is ripping the whole space-time continuum apart. The
Doctor rematerialises on Biblios to find out what’s going on and discovers
that all is quiet on the planet. A robot librarian explains that Biblios
holds all the known data of the universe. The Vromyx and the Garynths have
been fighting in the space around the planet for decades, meaning that the
Doctor is the first person to visit the library in all that time. The
robot librarians have no idea why the two races are fighting.
A Vromyx ship crashes into
a tower wiping out all the Parliamentary speeches from 20th
Century Earth. The Doctor asks the injured alien why they are at war and
it reveals that they are after the data the library must hold on weapons.
The robot librarian is bemused as that information is the one thing they
don’t record.
The Doctor collects a
device from the TARDIS and asks the librarian if he can consult a map of
the library. However, this is the one thing that is not allowed, so the
Doctor overloads the librarian’s motor circuits, immobilising it. He then
sends K-9 off with a package to one of the locations on the map.
The Doctor cuts in on the
Vromyx and Garynth Commanders, forcing them to listen. He describes
himself as a powerful war-lord, who has beaten their blockade. He tells
them that the super-weapon information is in a certain tower, which he
then blows up. The two war fleets pull out as they have nothing left to
fight for, although in actuality the Doctor has only blown up an empty
storage building! The Doctor points out to the robot librarian that
‘Actions speak louder than words, especially actions that make a very
large ‘BOOMF!’’
TV
Action
With it’s quick turnaround
between situation and resolution, this story would have been too short for
television. The enormous intergalactic war wouldn’t have turned out too
well. The BBC’s take on the vast, planet-sized library with its
stick-limbed robots would have been beyond budget and possibly beyond
imagination.
Personally I’d still place
this story before Season 18, because of the Doctor’s character. He’s still
an intergalactic problem solver, taking great delight in his job and his
little victories, rather than the morose Time Lord at the end of his life
that we saw in his last season.
4-Dimensional Vistas
There are some superb
close-ups of Tom Baker in this story, the best one being of his cheeky
grin as he declares that he’s ‘Trying to stop a war, that’s what!’
The space war is whizzy and
very cluttered, giving a sense of the chaos that the TARDIS is landing in.
There’s a brilliant montage as the robot librarian explains the history of
the war. The layout is excellent here, particularly where the Vromyx and
Garynth Commanders are peering at each other across their respective war
fleets.
The robots are cute but
distinctly robotic, lacking any human face features. The slightly
different designs of the robots plugged into the mainframe and the wheeled
medical robot keep them visually interesting. When the robot librarian is
frozen, it gets stuck with its arm in the air and its leg sticking out,
which is a good comic touch.

End of The Line
War of the Words, like
Spider God that follows it, is an amiable little story. The Doctor makes
one intelligent action and is successful in stopping a war.
It’s slightly dubious that
the Doctor keeps a bomb ready for use in the TARDIS. Perhaps it’s from the
TARDIS armoury, as seen in the Troughton comic strip era. Fortunately, in
this case it is the Doctor’s clever ruse that saves the day rather than
the bomb itself.
Follow That TARDIS!
This is the first one-part
Doctor Who story ever printed in the magazine, although the back-up strip
had run one-part stories before.
Tom is in his Season 18
gear, but this is the last story in the comic strip to feature K-9.
There’s no sensible gap between Warrior’s Gate and Logopolis that the
comic strip run can fit into, so I’m presuming that they’re still set
between The Horns of Nimon and The Leisure Hive in the TV run. Either K-9
is stuck on board the TARDIS, or the Doctor’s dropped him off with Romana
somewhere. Brighton pavilion, perhaps, or Benidorm.
The idea of a library being
attacked for its information on super-weapons also appears in the Big
Finish audio play, The Genocide Machine.
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