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Doctor Who - The Audio Adventures
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The Song of the Megaptera by Pat Mills

Deep space in the distant future, and Captain Greeg and his crew are hunting mile-long Space Whales on a vast harvesting ship. By pure accident, they also capture the TARDIS.

The Doctor and Peri must use all their wits to survive. But what is the creature running loose in the ship's bowels? And can the Doctor save Megaptera before its song is extinguished forever?

For a long time there was a fabled lost story called "Song of the Space Whale by Pat Mills" that was going to be a Davison story and then was going to be a Baker story and eventually fell off the radar forever. Until now. Except that it’s not "Song of the Space Whale" any more – Cardiff (presumably) put the ixnay on that title because of Doctor Who’s recent encounter with a star whale under Great Britain. When the title changed, Big Finish’s podcasters didn’t really say anything about the change – just that it was now Song of the Megaptera and that it was coming out soon. Well, it’s out, it’s proud and I’ve listened to it. It’s not great.

I’d say its main problem is that it doesn’t quite know what it is. At various points it tries to be:

  • An ecological parable

  • A cool bit of 80s sci fi

  • A hard bitten and cynical bit of post-Aliens sci fi

  • A post-modern spoof of cool 80s sci fi and cynical post-Aliens sci fi

  • A faithful 1980s TV Doctor Who story

  • A story that would’ve been impossible to do in 1980s Doctor Who

  • A corporate satire on 80s greed

  • A wry satire on 00s recessions

  • A Biblical pastiche

  • A sitcom

  • A Robert Holmes Doctor Who story

  • A bad 80s movie

  • There are probably a lot more but that’s the gist of it. It feels like there are some bits which feel very 1980s and are probably unchanged from the original drafts while other parts are contemporary and have been added to bring it up to date. But it’s been done clumsily and is like updating Knight Rider by making it sound like Michael is listening to Katy Perry while driving and trying to digitally turn Bonnie into a black woman.

    When it tries to be funny it is quite embarrassing. The ship’s computer goes a bit nuts and starts talking like an 80s computer gamer. No real reason – just for a laugh. I squirmed. The guards too have a "witty" banter that is never obviously a send-up of guard banter so I have to assume it is genuinely meant to be funny. They aim for Jago and Litefoot and end up with those two from Meglos who aren’t funny either. Half way through we get a cynical old space hand who’s seen it all and done it all and has earned the right to be sarcastically insubordinate to the Captain. I only dwell on this because the extras contain the bizarre claim that what attracted the production team to this script was the characters in it. A more boring collection of witless clichés would be hard to invent.

    It does have some good bits in it – the civilisation living inside the whale are quite a neat idea. They’re really just there as episode 3 padding and they aren’t even slightly believable but by episode 3 padding standards they’re quite good. The script also manages to make the idea of space whales rather plausible. Something the TV version never did. If you’ve accepted Doctor Who’s version of science – and if you’re listening to Big Finish then you probably have – then the explanation for what space whales are and how they work is quite a convincing one.

    Ultimately, it is obvious why this script never got made on television. It would’ve been impossible to get on the screen with 80s effects (though some clever script editing, limiting the whale to long shots of a sedated model in a cargo hold might’ve worked) and if they’d tried they would’ve had that decade’s "Invasion of the Dinosaurs". But without the clever story underneath the painfully bad effects. Song of Megaptera has a crew of greedy space clichés catching whales so they get their bonuses and the Doctor comes along and stops them. It has odd good moments and the feel good factor of not seeing the whole thing rendered in rubber and CSO is worth a quid or two but it’s only worth buying if you’re buying the lot. It isn’t the worst story ever made, it isn’t even the worst story in this season but that doesn’t make it any good. (LL)