The Time Monster

The exciting climax of season nine or a wretched example of all that was wrong about the Pertwee era? The Time Monster is all that, more, less and both. Like its box-mate "Colony in Space" it is subjected to the rigours of Twenty Four Things.

  1. Ingrit Pitt’s breasts. I mean, they just are aren’t they. Cleavage that is magnificent. Cleavage you could ski down. Cleavage that can upstage Jon Pertwee AND Roger Delgado at the same time. Her chest is indeed one of the seven hundred wonders of the universe.

  2. The Doctor’s dream is extremely homoerotic. It starts with a powerful eruption, we cut to a throbbing, upturned crystal and ends with the Doctor, apparently on his knees looking up, being told to call the black clad figure "Master".

  3. The Tardis sniffer-outer is unbelievably rude looking too and could only have been designed by someone who spent too long gazing at the Cerne Abas Giant.

  4. Benton has a 48 hour pass. From the ugly jacket he is wearing, he’s either going to buy new clothes or he’s planning to spend the weekend on his own.

  5. It goes without saying that nudity in front of his colleagues and peers was less embarrassing than that jacket.

  6. I have to make the shameful confession that it took ten years of viewing before I even noticed that the Master puts on an accent while playing the part of Thascales.

  7. At one point the Doctor says "Do stop whiffling, Jo". I’m not sure that whiffling is a word but it is curiously appropriate where Jo Grant is concerned.

  8. TOMTIT is surely one of the great lost hardcore lesbian punk band names.

  9. Pertwee’s finest comic moment is surely when he takes a cup of tea, natters on distractedly and then hands it back, untasted, to Jo with a sincere "I enjoyed that".

  10. Later we are treated to the exact opposite when a hugely serious Pertwee occupies a good ten seconds of screen time drinking a mug of tea while building his time jamming device.

  11. Jo’s fake laugh at the "entrails of a sheep" line is hugely embarrassing. At least Susan’s inappropriate laugh in "The Daleks" (when it is suggested there is something inside a Dalek) can be put down to nerves. Jo just must have a really defective sense of humour.

  12. How comes Pertwee was able to learn all that backwards dialogue and yet he was so reluctant to have proper technical lines? Was it, perchance, that this gave him the chance to do a comedy voice?

  13. All that stuff with the wine bottle is so bad that the idea of putting old rubbish together and giving it a spin wouldn’t be reused until Dimensions in Time.

  14. But at least it gives us an example of Nick Courtney’s legendary deadpan delivery when the thing doesn’t work.

  15. Keen to get away from the tired cliché of a man in a rubber suit the production team cleverly decided to try a man in a polystyrene suit instead.

  16. Aidan Murphy delivers his lines as if he's on the stage, Ian Collier as if he's in a sit com and Ingrid Pitt as if she was taught English by Stephen Hawking’s voice box.

  17. Continuing the series’ brief to be educational, we now know they had mice in Atlantis and that a small child will not be able to control a rogue elephant.

  18. The cliffhanger to episode 3 is either that Yates has been blown up by a doodlebug or that the Brigadier called him by his first name.

  19. Why does the yokel with the tractor shout "One… two… six… heave"? Oh, wait, he's from the countryside so he must be stupid. That'll be it.

  20. If the Doctor’s Tardis looks different because he "redecorated", and if the Master’s Tardis looks exactly the same, does this mean the Doctor snuck round and spruced up his mortal enemy’s ship? Or can we take it that the line in Logopolis – "In many ways we have the same mind" – can be extended to say "In many ways we have the same mind and taste in interior design"?

  21. I’m on the brink of being overly picky here but the Master has a Tardis which will take him back in time and a watch which will bring people and objects forward in time. So why does he feel the need to fake academic credentials, secure a government grant, hire two fairly gullible scientists and build a machine with a rude name to do what he can already do?

  22. The minotaur sequence is two of the funniest minutes in Doctor Who history. We see Pertwee as the world’s least mobile matador, we see him knock out the fearsome beast that has guarded the maze for hundreds of years with a pat on the shoulder, and finally he drunkenly lunges at them, misses completely and jogs a further twenty feet so he can crash through a wall and advance the plot a bit.

  23. Kronos is portrayed as male throughout the story right up until "he" is required to be spiteful and fickle (with the Doctor and the Master in the void) and so naturally is transformed into a woman.

  24. The daisy story – clearly a reference to the drugs. The Doctor trudges to an out-of-the-way place and comes away seeing everything as a beautiful, colourful utopia. Ok, maybe he didn’t realise it but that old git who lived on top of the hill basically spiked the Doc’s drink because he was depressing him so much. And now we get to imagine William Hartnell wandering down a hill, out of his mind, telling trees that he loves them, man.

Basically, it’s lovely and anyone who disagrees should look over their shoulder because I’m about to unleash the oldest trick in the book…