
Planet of the Daleks
The tendency to watch every
Doctor Who story more and more objectively usually leads to the 'technical
commentary' approach.
"Front axial projection." one
of us will murmur knowingly.
"Ooh, bad CSO."
"They obviously got someone to
dress in yellow and wave that stick about."
"They probably got those
stools from MFI in a job lot with the TARDIS wardrobe units."
But most of all, it's the
location work that bites. We try and work out to which twisted logic we
owe the distribution of precious out-of-studio filming. What halfwit tried
to do a story entirely set in an alien jungle within the confines of a
small studio? And why does "Frontier in Space" boast hours of lush
location work for dull padded scenes of the Doctor getting captured, when
the location-starved "Planet" so clearly needs it more? We come to resent
scenes set on location that don't need to be. Does anyone else even think
about these things?
Almost as if to rub it in, and
for no other discernable reason, "Planet" suddenly swaps its plastic
pot-plant jungle for mist shrouded, atmospheric location footage mid-way
through Episode 5. For a moment we see how the whole story could have
looked, and then it's back to the Homebase gardening centre. Incidentally,
Episode 3 looks great. Why can't all Pertwee episodes be converted to
black and white telerecordings? Preferably before the Restoration Team use
VidFIRE to change them all back again. Tellingly, that jungle suddenly
looks very much like Kembel in "The Daleks Masterplan". What this enforced
treatment does, as well as giving everything an expensive filmic look, is
to 'grade' everything together, so you can hardly tell which bits have
been done in studio and which haven't.
And then there's the
impression that Terry Nation has been on holiday since "The Daleks", even
having Pertwee gabble on about Ian, Barbara and Susan as if the audience
have as well. I don't mind the moralising, as it's actually quite sincere,
but the old bugger could have used the characters in "Frontier in Space"
instead of inventing new ones. Maybe if the Draconian Prince had been
called Tarrant he might have done. However, this trusty waste-not approach
has it's advantages. After five episodes of self tea-leafery (including
another outing for the old 'escape inside a Dalek' routine) when something
unexpected does happen, for example the bomb placed to flood the cavern in
the last episode not working, it comes as a genuine shock! Has anyone else
noticed that Codal clearly fancies the Doctor as well.
"You've done so much for me!"
he simpers as they are forced to part. Down boy!
It's all good fun though, even
if the rocks move and Jo Grant says the Daleks are trying to start "a sort
of a war" and Jane Howe is an astronaut who "can't stand heights". No
amount of wishing is going to change the fact they tried to knock up an
alien planet out of the props box. But what pluck! The spirit of
determined old Who is here in spades. And you can always turn the colour
down.
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