
The Last of the Time Lords
Cleverly, and not so
cleverly, "Last of the Time Lords" was both a fitting climax to the saga
begun with "Utopia", and a worthy standalone episode as well. The
surprising "One Year Later..." caption that kicked it off made it clear
that, skilfully, this was watchable on its own, yet at the same time part
of a larger story. And yet while "Utopia" was more dependent on the
subsequent two episodes (thus forging the false impression that it was
rather inconsequential when we were led to believe it stood alone), "The
Sound of the Drums" and "Last of the Time Lords" were both epic stories in
their own right. Only "Last of the Time Lords" was by far the better of
the two episodes, for all sorts of reasons.
The main one was that it
didn't, despite my fears last week, follow a similar path to "Doomsday"
last year. The Earth wasn't seen to be invaded and we didn't get a manic
episode full of people being subjugated before the Doctor pulled it back
with a super weapon at the last minute. Instead, we were instantly taken
to the point at which it was all over; Martha was turned into a legendary
freedom fighter, the Doctor a shrivelled slave of the Master. It was a
most welcome and unexpected twist; have we ever seen this in Doctor Who
before? Have we ever glimpsed a scenario where the Doctor has lost to such
an extent? And has the Master ever been quite as genuinely despicable as
the moment when he kicked the crone Doctor in the face? This was something
new. Somehow more "evil" than in the old days, when all he did was wipe
out planets and shrink people, one was constantly expecting the Master to
give the Doctor "one last chance", as he always used to sportingly do. Not
this time. This episode developed the character of the Master into a truly
nasty proposition.
Technically it was better
than "Drums" too - all the money was on screen, and where-as last episode
we got a couple of cheap explosions and a lame car chase, this week we
were treated to the incredible spectacle of the Yoda-Doctor and the
pitiful human heads inside the Toclafane - gorgeous and chilling CGI
creations both. As for the end, well in my book it worked. It wasn't a
conventional "turn back the clock" copout ending, for the simple reason
that the world with the Toclafane Invasion was stated to be the
'paradoxical' one; it couldn't happen, because it would create a paradox.
So until the entirely plausible Paradox Machine was prevented from
'holding it in place', the reality our heroes were fighting against was
always stated to be the unreal one. Somehow, this just worked. Add to this
Simm being altogether more subtle and less irritating than last week.
Cheekily, even the 'cheat killer-Time Lord weapon' was introduced, only to
be one massive double bluff. Now THAT'S excellent.
Less successful was Captain
Jack, given almost nothing to do (but worth having for the jaw-dropping
reveal concerning his character at the end) and Martha's departure,
unnecessary and again bizarrely kept as a 'surprise', despite having next
to no impact either dramatically or consequentially (she's back next
year).
I stand by previous reviews
- "Utopia" didn't work as a single episode, and "The Sound of Drums" was
poor and lacking in spectacle. "Last of the Time Lords" was a marvellous
closer though, packed with emotional resonance and incident without
appearing to be an episode full of people shooting at each other. Together
though, these three episodes will stand as one of the greatest Doctor Who
stories - a mini-trilogy revival of the Master that took the series into
new waters, both in terms of storytelling and effects. And while the way
we were presented with these episodes was rather baffling, at least the
production team kept us guessing until the very end (again!). "Last of the
Time Lords" was a patchy season going out on a major high.
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