
The Trial of a Time Lord II
At the close of yesterday's
column we'd decided to be Joe Jim'll-Fixit-Watching Public tuning in to a
new one-story season of Doctor Who in 1986. I don't actually recall any
long hiatus in my childhood memories of Who, although back then I didn't
know anything about things like between-season breaks or the Autumn
schedules. Doctor Who just came on every so often, and in the gap since
the end of "Revelation" I'd probably have been busy visiting Longleat,
playing Star Wars or tracking down issues of Doctor Who Magazine. When it
did come back, and I can recall excitedly spotting a trailer on our black
and white kitchen portable, I did notice that instead of wrestling the new
Radio Times from Mum every four weeks to uncover a new story title, the
show's return heralded a 14-part epic. Even my young mind worked out that
instead of lots of smaller stories, this time we were evidently going to
get one long one instead.
The problems, certainly to this young boy, of such an ideal were that
Doctor Who was always most exciting when kicking off a new adventure. What
they'd effectively done was to remove all my favourite bits from the new
season; TARDIS landings, Episode 1's, new monsters, new story titles. All
were gone, in place of 14 long weeks remembered as some people in a Trial
room talking. Well, actually this is a little unfair. I'm sure I enjoyed
the Vervoid story, and probably Sil and the rest of it as well. But it is
vivid images, iconography like the Malus Church or the distinctive (if not
wholly lifelike) Kinda jungle that lodge a story in a kid's mind. I'm
afraid with hindsight "Trial" just melded into one patience-testing whole.
From a more adult perspective, how does this one-story season stand up
today? Well the first problem is that damn framing device. The very
terminology suggests this tale houses smaller ones, but with no clear
divide on screen or in Radio Times, it effectively makes for one long
story but which is stuck in the same set all the time. This was certainly
evident back in 1986, for I recall my Dad lamenting the static visuals
after three months of patient viewing. We don't need to go into the
problems linking the opening and closing parts, as we all now know the
bizarre situation leading up to Pip 'n' Jane having to close the story
blind to what the author of its start had in mind. But this unfortunately
meant that little reward was gained for sitting through it all, other than
the Valeyard=Doctor payoff, which isn't even hinted until the end anyway.
It's a bit like following a murder mystery for fourteen weeks, then being
told about a completely different crime at the end, rather than who
actually did the murder or why he wanted to steal the black light in the
first place.
This is a very bleak and somewhat unfair view to have, however, and one
that deliberately turns its back on how the production team meant this
story to be viewed. It's highly ambitious - perhaps too ambitious - and if
you are lenient with how all the bits slot together, then what we have is
something of an epic. It's perhaps stifled by the available resources -
attempting to tell a 'past-present-future' narrative with one cast (bar
the addition of an extra companion) means we resort to such devices as the
Doctor's neck tie changing colour to visualise the oh-so-heady distant
future. But it's still fascinating, like peaking into... yes, a missing
season. Unfortunately, as a very young member of the viewing public,
patience was thinner on the ground and we have to face the fact that more
basic pleasures are diminished because of the overambitious nature of the
season (not to mention that budget-blowing opening shot). It's not an
expensive looking story for starters, neither does it offer to
counterbalance its great length with a simplicity in storytelling, as "The
Daleks Masterplan" did. It's rewarding, but hard work.
So "Trial" was not that fun to watch for this family and, judging by the
ratings, a few others too. You may now hate me, because writing this I'm
aware that there are people out there (most likely the ones reading this)
who love "Trial". But aside from remembering that you can far more easily
enjoy the story with the benefit of fore-warning and by not having to
watch it over a quarter of a year, please cut me some slack. Because in
the next column, we're going to examine how the serial has risen from its
smoking ashes with a new audience and a defiant popularity. You are the
Cult of "Trial" and you know who you are. We'll have a look at how and why
you came to love Season 23 tomorrow.
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