|
By Simon Rayner
The original series of
Doctor Who ended in December 1989. It's coming back next year apparently
(you wouldn’t know, there’s been nothing about it online or in the press)
but without any new TV episodes Doctor Who has never slept quietly. We’ve
had books, comic strips, spoofs, a TV film, reconstructions, audio
adventures and Bill Baggs full of other gubbins. Doctor Who has always
thrived in other forms since the earliest TV Comic strip to the latest Big
Finish CD. I can also confirm that it works equally well when acted out in
a bedroom with action figures...
Even though Doctor Who did
not return to TV in 1990 it was continued to be produced by me (with
occasional help and hindrance from my brother!) for many years after and
possibly before that year.
I had a loyal cast, sturdy
reusable sets and there were never any strikes although some stories did
get aborted…
Dapol’s late 80s/early 90s
BBC licensed Doctor Who action figures were unsurprisingly the most
important talent pool in my fun and games. I wasn’t going to be restricted
just to use the smattering of bona fide Doctor Who toys however! Dearie me
no. I gave regular employment to characters from the worlds of Star Wars,
Jurassic Park, Ghostbusters, Teenage Mutant Turtles and the works of Gerry
Anderson. They were all a little different in size but not enough to let
that get in the way of a good adventure.
I’m sure lots of people
played such games, after all action figures were made to be played with
(although I worry that today’s are made to be kept in their packaging and
sold for lots a de casha years later) but I took things a little further
and went to such efforts as taping the Doctor Who title music from the
telly and then playing it at the start and end of each of my "episodes"
while holding up lovingly drawn (in felt tip pen) recreations of the title
sequences. I even did my own original versions sometimes. I updated the
precious diamond logo so it now consisted of a crystalline diamond topped
by the McCoy era logo. A copy of the Cybertech album yielded a nice new
alternative title music and no I don't mean the rave "Dimensions in Time"
one which even I felt didn't suit the mood. I move with the times me.
When I got a little older I
even started to time each episode to be 25 minutes. I did the unthinkable
and moved to 45 minutes for my last few stories as I felt if the series
was being made then this is how it would be! By this point I was even
writing out cast credits and holding them up in time to the music! I cast
Letitia Dean as the new president of Earth in a sequel to Frontier in
Space you know.
Oh yes. My series wasn't
just a clone of the TV show but like the DWM comic strip it had its own
continuity and even its own Doctors, their adventures told in episodic
serials just like on TV…only this time shown to an audience of one. ME!
I forget the exact order of
the regenerations my Doctor had but it goes something like this:
Sylvester McCoy
Luke Skywalker
Bob the Goon from Batman
Tom Baker
Lando Carrisain (the first
black Doctor!) -
Jeff Tracy.
I forget what incarnations
they were. I may have gone up to 12 Doctors. I’m pretty sure there were 10
at some stage. Jeff Tracy was certainly the last. Alas he never got a
proper leaving scene, it all fizzled out somewhat.
The Doctor’s costumes were
very important to me and some of these figures gained outfits made from
blue tac-ing on waistcoats, frilly sleeves and coat tails etc. Batman’s
"Bob the Goon" and "The Joker" figures came with dapper hats which were
much used by my Doctors although in the days of yore prior to getting
these I made hats out of paper and blue tac.
I naturally came up with
actors that would have played them if this were on TV. So we have...Adam
Faith as the Doctor. Oh dear! Well he had nice hair and looked a little
bit like Jeff Tracy….if you squint. A lot. Luke Skywalker was Roger Moore.
Lando Carrisian was er…Mick from Brookside. Oh dear!
Although I never played
their adventures, I accepted Hartnell, Troughton, Pertwee and Tom Baker as
part of the "canon" and they would appear in multi Doctor stories as is
the rule. I do recall a lavish re-enactment of "Evil of the Daleks" which
I claimed was a repeat of the newly re-discovered story! I actually erased
the whole of the Tom Baker era too when I got Dapol’s 4th Doctor Figure. I
decided he was to good not to use so changed history and made him the
current Doctor rather than one of the off screen ones such as Hartnell
was. A bit like that Dallas storyline where someone wakes up after
dreaming the past few series. I did the same with "Remembrance of the
Daleks" which I remade several times and just erased the other versions
from history!
The stories I "produced"
were a veritable pic n mix. Some made up from my head, others adapted from
TV stories I'd seen or merely read about in books.
Companions were pretty much
as on TV, although I also gained April O'Neil and Vernon Someoneorother
from the then popular Teenage Mutant Hero Turtles... I stole their
Shredder and used him as an Ice Lord too. Well he had an Ice Lordish hat!
Ace kept coming and going for various reasons too!
The Batcave was a godsend!
I got it for Christmas 1990 and it made for perfect control rooms and its
moveable staircase came in very handy for countless adventures. It had
chairs to die for which popped up everywhere! It also became "Space UNIT
HQ" which was a moonbase type thing (influenced by my getting "The Seeds
of Death" on video) that the Ice Warriors invaded with their tissue/foam
seedpods...
In the later days I turned
to the Virgin "New Adventures" novels for inspiration and had Benny
Summerfield, space Bitch Ace, Chris, Roz, Wolsey the Cat and the Doctor's
house on Allen Road.
I recall one plot which saw
Bernice flung into the time vortex which resulted in her changing into an
alternative version of herself. A new actress would have been brought in
if this was on TV...Louise Lombard from "The House of Elliot" in fact who
had short dark hair just like the illustrations of Benny on the book
covers.
I seem to think this
re-casting might be because I'd started off just stealing the name Bernice
Summerfield and applying it to a generic blonde female companion but then
decided I wanted to go down the "New Adventures" route proper. So what
better way of cancelling out a character than flinging them into time and
bringing them back as the same but different person!
I naturally "created" (or
stole from other places) my own villains. The most memorable of these was
the Time Controller. Played originally by a helmet-less Robocop and recast
(I realised that Doctor Who liked to update things) as the Hood from
Thunderbirds. Spot the connection? Clue: a lack of hair! This character
was basically a Master Clone who had stolen the Lantrhax Core from the
Tomb of Rassilon. This was essentially a gun which had the ability to
capture anything or anybody from any point in time. You'd never have
guessed I'd just seen "The Five Doctors". Amusingly I realised later "The
Time Monster" features a scene where the Master scoops various things out
of time to use to attack UNIT which is pretty much all the Time Controller
ever did!
The Time Controller was
also behind one of my favourite adventures. I figured out that "my" series
would probably be a few series ahead of the TV version as I made a lot
more stories per year and liked to break them down into series, so around
1991 I decided to have a 30th Anniversary special. This was "The Search
for Doctor Who". I knew calling the character Doctor Who was a
controversial move and I did it on purpose as it seemed the sort of thing
the TV series did!
This was a 12 part epic
which saw the current Doctor (Bob the Goon, who regenerated from Roger
Moore when he was shot outside the TARDIS…did the writer of the TV Movie
read my mind I wonder?) having to search through time for his previous
incarnations which the Time Controller had scattered through history. I
forget the rest but I remember each Doctor was given a two-episode section
set during one of their adventures…henceforth the first Doctor and Susan
wandering around an impressive Dalek invaded, dilapidated London…in
reality the spare bed with lots of Lego bricks on it.
Another favourite was the
spooky 7th Dr and Mel "Ghostlight-ish" "Crack in the Sky". A title just
gagging for cheeky puns I’m sure. This saw a lone alien slipping through a
tear in the fabric of time and space and taking over a big mansion house
owned by a professor. This was played during a very grey and murky day
which added bags of atmosphere!
Then there were "The Killer
Robots" who featured in a story ripped off (unsurprisingly from) "The
Robots of Death". This was oddly one of the only times I did an adventure
in my own bedroom rather than the usually empty spare room. In place of
the Storm Miner I had a huge intergalactic bin lorry type affair which was
represented by my "Toy basket" (a kind of metallic structure used by shops
to display stuff and which my dad had acquired during his sales rep days
and was subsequently used by me to house my toys and assorted junk)
Things got much more lavish
towards the end until it got to the point I was making mini-cardboard cut
out Peladon Castles. Most of the time the sets were all very basic. I had
my lovely Dapol Console room and a few spare TARDIS walls not to mention
assorted chairs, guns etc from other figures. Cassette boxes were used for
everything from tables to beds to control panels.
Location work was done on
the double bed which made a convincing empty quarry like space or the
floor for cities (the tables and furniture and walls made for buildings).
One of my favourite "sets" was the big white window ledge which looked out
over the garden or if you were "filming" at night was just like the
corridors of the Nerva Beacon. I enjoyed doing "Ark in Space" a lot and
even started it with the TARDIS appearing in the dark. A wet tissue
covered sticklebrick made a surprisingly convincing Wirrn Larvae while a
50p joke shop giant Grasshopper made a perfect Wirrin adult. Wet tissue
rolled up and left to dry made smashing maggots for "The Green Death"!
The dark mirror-come make
up tabley thing was always used for dark sets as it looked a little like
wood panelling. A bit. It had an upper story two which was a smasher if
you need a balcony.
I did occasionally go and
play out in the garden but it was too much effort to bring everything out
and I liked the seclusion of being in the spare room. Besides we lost
Princess Leia somewhere in the garden. We eventually got a replacement
from a car boot sale but I wonder if the original is still out there
rotting under a bush?
I wish I'd taken some
pictures of these productions. I have nothing but my memories now. My
brother occupies that room these days and it's full of his clutter but the
same furniture is present and even the same old carpet! It badly needs a
make over but it pleases me to see the old chests of drawers and wot not
that made such a fantastic studio.
This may all sound like
tedious nonsense to you but I was in my absolute element. It was bliss! I
was the producer, director, actor, writer the everything! I had a small
but dedicated cast. I had Daleks, Cybermen, Ice Warriors and sometimes a
tourch for special effects. Even a Lego Bessie and a flimsy cardboard
Whomobile! Maybe I should have been out shoplifting drugs or fingering
girls in the park but I was much happier fingering Mini Ace and Mini Mel.
If anyone saw mine and me
other half's version of "The Dark Dimension" (if not it’s still
online!)then they'll have seen a lot of these figures and props in action.
In fact one of the things I liked most about our production was that it
was just a glorified version of the games I used to play. You can spot
those bat cave chairs, now sprayed silver, that’s the same console I used
to use (and yes I did colour in some of the buttons way back when!) and
look out for the hats! I never put half as much effort in and simply never
had the money or inclination to make sets or paint anything but the basic
concept is the same. I'd certainly like to do another project like this
and plans are afoot!
I loathe and detest that
over used quote from "Terror of the Autons" (I think) about being grown up
and childish but it seems appropriate. Doctor Who isn't Shakespeare and it
isn't high art. Colin Baker said it was Cowboys and Indians in space and I
think I know what he means. It's just such a fun and entertaining idea for
a programme and it gave me so many hours of pleasure. I'm glad it's coming
back to TV and I'm glad I can still get out the old toys and knock up a
story or two!
By Andrew Curnow
1990 was quite a year. It was
of course the year when there was no new Doctor Who on TV for the first
time since... well, for anybody under the age of 26, for the first time
EVER. Not of course that we knew that in January, as memories of Christmas
and the end of "Survival" still lingered. By the following December it was
fairly obvious that there was no new Who coming that year, and it began I
think to sink in that there might not be any for quite some time. The
excited talk of farming out to independent production companies that had
optimistically filled up a Gallifrey Guardian or two had come to nothing,
or at least nothing concrete, and it seemed as if Doctor Who might, this
time, be dead.
So given that, you might
expect 1990 to be a year I remember with dismay. But just as BBC TV lost
the plot and gave up on the show completely, so BBC Enterprises suddenly
seemed to move into top gear. And so one Friday in February I came home
for lunch from my part-time job at the local Post Office (that's PO, or
maybe Boff, to any Fawlty Towers fans) to find a box from John Fitton
Books & Magazines. It contained, and I am getting a little tingle up the
spine even now as I remember this-- it contained three video tapes,
comprising all four episodes of "An Unearthly Child" and even more
thrilling all ten (count 'em - ten!) episodes of "The War Games". I
watched that very first episode from 1963 during my lunch break, and was
captivated all over again, just as I had been in November 1981. Then I
bunged in the second tape of "The War Games" to see whether it was
episodic or not.
Ah yes - episodic... Up until
this point fans had berated the BBC for releasing (with the curious
exception of "The Daleks" the year before, which I got for my 18th
birthday) the stories sans credits and reprises - or, as the back-cover
blurb liked to put it, compiled into "a feature-length space adventure."
But now, this year, almost unheralded, that was suddenly a thing of the
past. OK, it didn't take long for us fans to start moaning that the 'Next
Episode' captions from the final episodes on the Hartnell tapes weren't
there, and there was apparently two seconds of a fade to black missing
from part 1 of "The Daleks"... But in 1990 I not only didn't know that, I
wouldn't have cared. Suddenly stories that I never, ever, EVER, thought I
would get to see, were being released by the BBC in boxes decorated with
beautiful artwork, and in 'unedited' episodic format.
So going back to that
lunchtime, just as I had to go back to work, the legend, EPISODE SIX
appeared and I knew then that this was the real deal. At teatime that
night, my brother did the honest thing and cut to the chase - ie, he fast
forwarded to watch EPISODE TEN first, the 'Trial of Doctor Who' of fan
legend. The next day, Saturday, we watched the whole thing.
And the wonder of it was, this
wasn't just the exciting release of two stories. Just as we were getting
blasé about having seen two stories from before we were born (well
technically speaking my brother was alive when "The War Games" aired, but
at the age of six months he didn't remember much about it) there was more
to come - another black & white pairing in April (then delayed to May) of
"The Dalek Invasion of Earth" and "The Mind Robber", then another in
September of "The Web Planet" and "The Dominators" and in-between the BBC
even went back and corrected a couple of their earlier mistakes, by giving
us genuinely unedited versions of "The Brain of Morbius" and "The Five
Doctors". Suddenly the hazy glow of wonder that surrounded these stories,
in the main generated by the opinion-as-fact reporting of DWM was replaced
by reality - stories made three decades earlier were no longer the
province of those lucky enough to have been there at the time, but were
readily available to everybody.
There were a great many
stories released in the years that followed, and many of them I enjoy a
lot more than any of the eight stories that came out in 1990. But somehow
that first set of 'proper' releases are the ones which give me a thrill
just to think about. The on-going story of Doctor Who on TV had stalled,
and for a time we thought it was finished forever, but suddenly the entire
history (well, excepting 114 or so missing episodes) was becoming
available to us, and for quite some time that helped to fill the void.
|