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Well
obviously we must start with that consummate professional Jon Pertwee
saying the same line twice and no one thinking about saying "shall we go
again, loves?" This wasn’t the 1960s where editing was crude and the
methods needed to get a second take were even cruder. This was the 1970s
where a perfectionist like Peewee could say his lines precisely and
safely in the knowledge that nothing could slip through the editing net.
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Salman Rushdie – the popular hiding enthusiast – singled this story out
for criticism apparently. Unlike Kenneth Williams’ mentioning the
Android Invasion in his diaries I haven’t personally checked out the
Rushdie claim. He alleges that it enforces the idea that ugly equals
evil when it is quite obvious that he’s talking through his pants. I’m
sure there are lots of women who found Paul Witsun Jones rather cuddly.
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I
think the Time Lords must also double up as the Royal Mail since their
idea of getting a box to Ky on Solos is to send it to the Doctor on
Earth and not tell him where to take it.
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The
themes of racial segregation are never more obvious than in the presence
of separate transmat booths for Solonians and Overlords. That they are
exactly the same rather renders the distinction meaningless. It would’ve
been funnier (and more politically cutting, obviously) if they’d made
the Solonians use the stairs.
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I
can’t put it off any longer. Rick James. I don’t know what process they
used to cast him but it should be shot. I’m sure he’s a nice man and
gives lots of his spare time to charity but he cannot act. His
performance ranges from wooden to even more wooden. Every word is spoken
carefully as if it were a spoonful of cocaine being carried across an
uneven floor. I’m sure they thought they were being clever by using a
black actor in a story which addressed racial issues but having such a
bad one (and having him call Jo "Miss" in a very subservient way)
rendered the gesture useless.
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The
idea of an entire race which needs one crystal to evolve is too silly
even for Doctor Who. I can accept the radioactive caves as a part of the
process but one crystal is too much. In more sophisticated times they
could’ve added a few lines which explained that the caves and/or the
crystal were part of the planet’s religion and that they make their
pilgrimage without knowing the real evolutionary reason why.
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"Genocide as a side effect!" sees Pertwee at his magnificent best.
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I’m
back on the sexual symbolism here – Skybase has a somewhat phallic
appearance. Ok so it’s a cock with only one (swollen) ball but it’s
still phallic for the purposes of this point. To bring human life to
Solos, Skybase must fire it’s semen missiles at the egg-like planet. And
I should get out more.
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Nothing says the 1970s like the faux-computer font that is all over
Skybase. You can barely read anything in that queer fat-thin font that
they imagined would be on every computer screen in the world once the
problems of how to build computers had been solved.
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Particle reversal. Oh my hat. A technique that would show the contents
of a box by putting everything on the inside on the outside and
everything on the outside would be inside. Hmm. This method –
technobabble aimed at the under-5s – would then be applied to the
atmosphere of Solos. So that should mean that the atmosphere would be on
the outside while the airless void of space would be on the inside. So
the air would be gone and Solos would be dead. Only that doesn’t happen.
It just seems to reverse the particles back into the state they were
before Skybase fired its missiles. Bah! Where’s Christopher Bidmead when
you need him?
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I
don’t know if Geoffrey Palmer was an especially expensive actor but to
hire him for only one episode does seem rather pointless. Why oh why
couldn’t he have played Cotton? Have Rick James as the man in charge
(which would be a better use of the black-actor-in-colonial-satire
premise) who gets mercifully shot within ten minutes and spare us the
agony of his drawn out performance.
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In
the scenes set in Sondergaard’s lab, you know when there is going to be
an explosion because they bizarrely switch to what looks like a cheap
camera which is set at a crude angle and makes everyone look tall and
thin.
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The
refuelling of the Investigator’s ship is pretty sexual too – the long
shot of the refuelling probe slipping into Skybase… I really should get
out more. Or at all.
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As if
one of him wasn’t enough, the computer base appears to be voiced by Rick
James. I can’t find anyone credited as the voice of Skybase so it’s
either James doing double duty (and thereby doubling the credits on his
CV) or someone else decided to take him as their role model. It says
something about his talents when you realise he makes a much better
computer than he does a person.
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Why
is Sondergaard dressed as a hippy? Do scientists wear beads in the 30th
century? If so why isn’t Jaeger wearing them?
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And
how comes Sondergaard has such a good tan when he spends all his time
underground?
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There
might be another early Pertwee fluff when he tells Jo the mission would
certainly be dangerous and might also be difficult. An easy but perilous
mission would be much better suited to a girlie.
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What
would a planet of super beings like Ky be like? And wouldn’t they be
more powerful than the Time Lords? If so why would the Gallifreyans want
the Solonians to evolve?
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Less
grown up readers may like to take a moment to chuckle at Pertwee saying
they’d come in through the tradesman’s entrance.
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Chuckle.
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Maybe
it’s just me but Garrick Hagon (Ky) seems to look like a dozen or more
other actors of the age. Everyone from Mike Holloway to Barry Evans.
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I
wonder how many of the viewers at the time were expecting the Master to
turn up as the Investigator?
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The
furious Jaeger bursts in to the Marshall’s office with news. The
Marshall dismisses his guards as he didn’t want his subordinates to know
what they were discussing but he was quite happy for his enemies (Jo,
Ky, Stubbs and Cotton) to know what had gone wrong.
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Normally I write these things myself but I have to include this one from
Cornell, Topping and Day’s Discontinuity Guide as it is soooo right.
The opening, with a hermit like figure shambling towards the camera is
screaming out for an 'It's...'
And if anyone spots any gaping holes in my reasoning, I’ll
just press a button to equalise the pressure and thus I’ll walk away with
my head held high. So nurr.