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Edinburgh part six - Have a good day at
work, dear
The third day started early with J getting up at the
crack of dawn to facilitate the hell out of a workshop. She remains
convinced the only reason I got up was so I could kiss her goodbye and
say “Have a good day at work, dear”. It wasn’t although I don’t have a
better explanation other than I didn’t want to waste any time that could
be spend exploring. That sounds good in theory but I then proceeded to
waste an hour (if hearing the latest news on how Tito Ortiz came to be
fighting Rashad Evans at August’s UFC 133 can be considered wasting
time) slowly getting ready because I didn’t want to go down to five star
luxury breakfast when it might be busy. Such things should be enjoyed at
a leisurely pace and not be interrupted by mental calculations about how
long you have to eat your scrambled eggs before you need to be in the
toast queue if you want to have time to eat a bit of toast before you
absolutely must get in line for the juice dispensers. Besides, there was
a conference going on nearby which we were convinced was just a front
for a sinister international cult and I didn’t want anyone trying to
convert me while my blood sugar was low. J would be all right – she’s
trained in the ways of the brain – but I am not. I buy new kinds of
toothpaste because I read the boxes and think they must be better than
the last half century’s toothpaste has been. I’m a naïve cynic and
would be putty in the hands of a cultist before I’ve had a gallon of
coffee and some jam.
Breakfast was fantastic. There were few of us about at that time and I
was able to make free and easy with the entire buffet. I managed four
courses – including some five star luxury Coco Pops which I might’ve
Tweeted a photo of – before finally tapping out and going in search of
the outside world. Toast, potato cakes, cereal, orange and apple juice,
pastries, coffee, some more toast – I was putting the "all" into "all you can
eat" and didn’t care who – out of the three fellow diners I saw – knew
it.
Amidst the pretty waitresses – and some of them were very pretty – was
one waiter and he was quite a character. While the girls got on with
their fetching and carrying and only spoke occasionally and with Eastern
European accents, the waiter was loud, jolly and Scotch to the core. He
was cracking jokes, playing with dining children and generally being the
closest you’ll get to the life and soul of the breakfast party. It was
during my third course that I finally realised who he was. I’d read
about the hotel on Trip Advisor and remembered one of the reviews was
complimentary about everything except the inappropriate waiter (who they
named) who kept making lewd remarks and spoilt the whole thing for them.
The management of the hotel posted a reply which apologised for their
interpretation of the waiter’s joviality and assured them he meant no
ill. And now I was actually seeing this guy who had been slagged off on
the internet in person. I felt like going over to him and saying “I’ve
been slagged off on the internet by strangers too – isn’t that funny!”
but I didn’t. It would’ve cost me eating time and that wouldn’t do. I
had a schedule to maintain and it takes dedication to cram the best part
of eight thousand calories into the breakfast window I’d allowed myself.
I felt like quite the old hand when I walked out – through the revolving
door – and off down Princes Street. Our meanderings the night before had
usefully pointed out the best way to the Mound was to turn right at the
art gallery and be prepared for a hill. Or possibly a mound. I got to
the Museum on the Mound at one minute past ten which was good as it
didn’t open until 10 o’clock and people who linger outside closed banks
tend to be viewed with suspicion. The Museum on the Mound – as you can
guess from its name – is a museum celebrating the history of money. It’s
based in the headquarters of the Bank of Scotland which I now know is a
different thing to the Royal Bank of Scotland. Though until I just
looked it up on Wikipedia I didn't really know who owned what or was
owned by whom. Bank of Scotland – like the Royal version and the
Clydesdale Bank – can print its own bank notes which I think is
brilliant. You never see Scottish money in England but up there you
never know what you’re going to get when you hand a note over and expect
some change. With four sets of currency in circulation it is quite
exciting, though when I returned to England I wasn’t quite brave enough
to use Scotch money in a shop and instead weaselled out and used it in a
self-service checkout.
The Museum on the Mound both charts the rise of money (and the whole
idea of paper money) and tells the history of the Mound itself. It is
not a natural feature and was constructed out of the rubble and debris
that resulted from the building of the New Town. It was also a rubbish
dump for people living in the Old Town and excavations on the Mound have
found oyster shells amongst other compacted refuse.
Amongst the exhibits in the museum is a million pounds in cash. An actual
million quid in actual notes. True, they have all been marked to say
they’re spoilt and no longer legal tender but it’s still not something
you see every day. They also have a replica of a million pound note of
the sort that’s only used internally by the Bank of England. More fun is
the game where you start with a wooden model of the old version of the
building you’re standing in and have to overlay rubber blocks to turn it
into the new version of the building you’re standing in. Someone – I
forget who – spent a happy five minutes getting it right because it was
early and no one else was around yet. I tell a lie – there was one man
but he was literally walking really quickly, stopping, taking a photo,
rushing off to the next thing, taking a photo, rushing off and so on. I
think he must only have had ten minutes to do the whole thing and wanted
to enjoy it later, at his leisure. Though that doesn’t explain why he
came back round a few minutes later and did exactly the same thing.
Maybe he was doing laps and needed the timings on the photos to gauge
whether he was getting faster at it.
The history of coins and notes gave me a chance to see examples from my
youth as well as the preceding few centuries. It’s amazing how much
bigger the old coins of the 70s and 80s were compared with the diddy
tokens we push into vending machines today. There is a beauty about cash
– not in a greedy, wanting to roll naked in it and laugh at the poor sort
of way – and I understand why people collect coins and bank notes. Well,
no I don’t because most of them collect them purely as investments
rather than as objects of actual and historical beauty but it still
makes more sense than stamps. I’d love to have an iPad app (heck, I’d
love to have an iPad) which let you see all the currency of the world in
real size and throughout the ages. Not to mention telling you what each
note would be worth today.
The museum then turns to more recent developments in banking and the
marketing of banking services to ordinary families. The advertising has
a certain charm about it and speaks for an age of modest optimism. The
happy nuclear family in their little mortgaged home was an emblem for a
society emerging from the horrors of war and austerity and beginning to
plant roots it hoped wouldn’t be swept away with yet another swathe of
bombs and madness. In those days there was a real bond of trust between
the bank or building society and its customers. Once you joined you were
with them for life. The little man would call at your door every week
and you’d give him your shilling (not a euphemism although I’ve heard
stories). If you were out and he didn’t get his shilling he’d simply
come back next week for two shillings. If you were out the next week too
he’d smash down your door and steal your mangle. They were simpler,
happier times.
Also simpler and happier was the bank’s relationship with its staff. In
the olden days you had a job for life – being killed in the trenches
aside – as long as you turned up 51 weeks of the year, wore a stiff
collar, called your betters Sir and showed the right spirit by joining
the bank’s shooting club. I’m being unfair – the display case about how
happy the staff were shows a range of activities from theatrical clubs
to sports teams to posh dining and lots of inter-class dancing. It may
seem forced and quaint but it’s more than you get in the industry these
days. The collars may be softer and it may all be “call me Barry” but
that’s come at the cost of no security and no comradeship any longer.
After all, it’s hard to dance with someone if you’re in Edinburgh with a
redundancy letter in your pocket and they are in Bangalore with a false
name and a crib sheet about last week’s soap opera water cooler chat.
The Museum took about an hour and was well worth the trip up the Mound.
I still had enough morning left to head off down the Royal Mile
and find the National Museum of Scotland even though I knew it was only
half open. Or half closed if you prefer, though no one in their right
mind would say it was only half closed.
I’d been wondering why there wasn’t a Scottish science museum in
Edinburgh given the city’s fine history in the provable arts. The answer
is that a lot of it is covered in the achingly modern National Museum
which reeks and groans with big machines. Lovely. It’s in the process of
being renovated (and will have been completed by the time you read this)
and the new Museum sounds like it will be well worth revisiting in the
future.
My main gripe about it is that it is one of those facilities where the
stairs don’t go where you expect them to. Stairs are simple – or so you
would’ve thought – and go up until they stop. Six floors, one stair
case, six doors. Easy. Not here – every staircase has a list of floors
it visits on it and some of them are damned tricky to get to. I’d like
to think there was a sound architectural reason for this but it smacks
of a cunning ploy to get people to wander round as much as poss even if
they are only looking for the second floor having found themselves
inexplicably on the fifth.
Because the museum has a fairly broad brief – being about Scotland seems
to cover it – there were large chunks I felt a bit guilty about rushing
through or not even visiting at all. Even the bits I did spend some time
over didn’t quite grip me because they were random bits of curiosity
rather than a developing or demonstrative narrative. Oh look – a
carriage. Nice carriage. Oh look – a bronze age sword. Nice sword. Oh
look – a big machine. Nice big machine. Oh look – some wacky tartan.
Nice wacky tartan.
I think the best and worst bit of the trip both happened when I decided
to take the lift to the roof terrace. I got in with a group of about 6
old people. One of them went to press the button for the roof terrace
and we all saw the sign saying the roof terrace was closed.
Disappointment. The old people then made classic sit com disappointed
noises for a full ten seconds. Tuts, groans, muttering, mild wailing –
everything except the actual words of dialogue that would’ve meant
paying them an extra couple of quid because they no longer counted as
extras. I didn’t think people made those noises in real life. I was
amused enough not to be bothered about missing out on the roof terrace.
Besides, we had a date with the Edinburgh skyline in a couple of hours.
I can’t say I did the museum justice in my brief hour long inspection.
It’s the sort of place you could spend half a day – probably a full day
now it has 18 new galleries – but I had a souvenir shop to visit and
not very long in which to visit it. Having failed to bag an Edinburgh
Hard Rock Café t-shirt I wanted the next best thing – the only tasteful
t-shirt from Edinburgh castle. I didn’t want anything that promoted
Scotchness or any of that plastic patriotism because I genuinely don’t
like that sort of thing. It has nothing to do with Scotland – I’d no
sooner wear a St George’s flag t-shirt with an I HEART ENGLAND on it –
but it did limit my choice in the endless merchandise shops that litter
Princes Street and the Royal M. Luckily there was a nice Castle t-shirt
that I’d seen the day before and I was having one. So, for the third day
in a row, I walked up to the Castle and by now felt quite at home there.
£10.95 later I was back down and heading for the Hub – a church that’s
been converted into a trendy restaurant. Or as trendy a restaurant as
I’m likely to get into.
J’s workshop had gone well – not that I had any doubts about it – and
she was buoyant after a morning well spent. She hadn’t seen a million
pounds though so I won in the superficial tourist stakes. She’d merely
informed, educated and entertained a sold out conference room as Lord
Reith would’ve wanted. We actually discussed one or two of the themes
over lunch and I sort of kept up. Must’ve been the goodness in
my slightly watery soup of the day. It was called “soup de jour” which
must be French for tomato and basil.
Our trip for the afternoon was to Camera Obscura which claims to be
Edinburgh’s oldest purpose built tourist attraction. I’d looked at the
website several times, read up on it at Wikipedia and done various other
superficial internet research (basically I did an undergraduate degree
in Camera Obscura) but still had very little idea what it actually was.
We soon discovered it is absolutely brilliant.
Next time - do not trust your eyes
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