As well as building a full size police box, we also
took the bold step of building a working TARDIS console, though this was
far more complicated venture. Again it was down to me to design and
construct it, but as the TARDIS Technical Manual had no specific
dimensions for the console it was difficult even to get the design down on
paper.
The
hexagonal shape of the console along with the sloping control panels
created many awkward angles which called for some serious geometry
revision on my part, and it took ages to get all the angles and
measurements right. The finished article was quite a bit smaller than the
real version as we had limited space in which to record, but it was a
fairly good effort even if I may say so myself. The Time Rotor was
constructed from clear Perspex which
Worked very well, but the ‘innards’ of the piece
comprised a green 2 litre Lilt bottle (with both the label and the Lilt
itself removed, I might add), some plastic tubing and more bits of Perspex
covered in coloured gel. The fact that it was very difficult to fix inside
properly meant that it wobbled as the Time Rotor was raised and lowered,
thus making it look rather crap. On the subject of the up-and-down
movement, this was achieved, rather predictably, by an otherwise unengaged
cast member lying down under the console out of view and pushing and
pulling up and down with their arms…..
Each
of the panels was of a different design in order to make it in keeping
with the prop from the series, and one of them even had a keyboard
recessed into it, though I have to admit that this was in fact a ZX
Spectrum computer. The other panels were covered in assorted bits and
pieces including the obligatory static and flashing lights, buttons and
switches, and even some dials from an old Hi-fi system that my mum had
recently thrown out! The whole thing was powered by a motorcycle battery
concealed within which hadn’t been used for some years and therefore
needed regular recharging. The famous TARDIS door handle was created from
a clear Biro casing topped with a red plastic ball (actually a cat’s toy
with the bell removed), and it was mounted on the console using some
packaging from a watch I’d been given for my birthday. Unfortunately, the
console wasn’t as sturdy as the police box prop, and so whenever there was
a close-up of a button being pressed, the panel beneath could clearly be
seen bowing inwards under the enormous pressure of someone’s finger, so I
kept these shots down to a minimum!
We
collectively spent many hours soldering all the lights onto connected
wires which then went through an old light switch concealed under a flap
on one of the panels and thence to the battery. Many of these delicate
connections would fail on a regular basis, necessitating the soldering
iron to be kept on hand during recording. The Rani’s TARDIS was also
featured in the story, but as time and money wouldn’t stretch to building
a separate console of a different design, the same one was used with a
different combination of surrounding wall panels to try to make it look
different to the Doctor’s own TARDIS control room.
Next Episode: Set building!